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Daisha

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Photographed By Keith Major

THE D(N)A COLLECTIVE IN NEW YORK, WHY AND WHEN DID IT GET STARTED?
My family has always made a commitment to giving back to the community. I believe it’s very important to spread knowledge, educate, and inspire people. Fortunately, my (senior) sister feels the same, so we decided to do something together that could make a difference.

WHAT MADE YOU FIRST REALIZE THAT YOU WANTED TO PURSUE A CAREER IN DANCE?
I’ve always been rather reserved or "quiet" as some may say. Dance was my escape to release emotions non-verbally. It was a strong hobby for a long time and during college I realized that I could actually make a career in it. I built enough confidence in my training to see what I could do in the "real world." I also just couldn't see myself doing anything else. Still can't.

WHAT’S YOUR TRAINING IN DANCE, MUSICAL OR THEATRICAL WORKS?
I trained in classical piano since the age of five until 16. I’ve trained in all genres of dance (ballet, modern, tap, jazz, African, hip hop) since the age of five. I attended the Ballet Royale institute of Maryland, Alvin Ailey American Dance Theater Summer Intensives, Duke University Summer Intensives, Broadway Dance Center, and Hofstra University with a BA in Dance.

YOU’VE TOURED WITH RIHANNA, PERFORMED WITH BEYONCÉ, DIDDY AND PITBULL, AND FEATURED IN TWO OF THE “STEP UP” MOVIES, PLEASE SPILL THE BEANS!
Funny! It's all been such a blessing. I love the stage. Showtime is what I live for. You train and prepare for years to be on stage for sometimes three minutes. Kinda crazy when you think about it. But wow, is it satisfying. Because I’m a recording artist and actress as well, I’ve learned so much from everyone I've ever worked with. Each artist functions differently. It's a lot less glamorous than what it seems.

LIST YOUR FIVE (MORE IF YOU LIKE) ALL TIME FAVOURITE DANCE MOVIES
“Center Stage”, “Step Up”, “Save the Last Dance”, Dirty Dancing”, “Fame” and “The Wiz”.

WHAT ELSE DO YOU GET UP TO BESIDES DANCING?
I’m a recording artist with MBK/Sony Red. I’m currently gearing up to release my first EP. I’m also an actress, and I’m currently in training to become a vinyasa flow yoga instructor.

HOW DO YOU STAY IN SHAPE?
Dance and yoga. I also box once a week and eat very well.

WHAT BEAUTY PRODUCTS CAN’T YOU LIVE WITHOUT?
Oh, I need all my curly hair products (Devacurl). I also need concealer, bronzer, eyebrow pencil, and mascara.

HOW DO YOU FIX UP TO LOOK SHARP?
Depends on what the event is; usually big hair and heels work like a charm.

AND HOW DO YOU KEEP YOUR EARS TO THE STREET TO KEEP IT FRESH?
I keep abreast on social media. I also like to attend events where I know the tastemakers and creatives hang out.

Anna K

Brittany Huckabee

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Photo Courtesy Of Brittany Huckabee

YOU WERE RAISED IN A RELATIVELY CONSERVATIVE HOUSEHOLD IN COLORADO AND TEXAS, HOW DID FILMMAKING COME TO YOU, AND HAVE YOU FACED ANY OBSTACLES IN YOUR PURSUIT OF IT?
Growing up, I couldn't decide if I wanted to be a visual artist, a writer or an academic. At some point I realized filmmaking could bring together elements of all three. So I just did it. I learned a lot about production as a local television reporter, then I moved to the East Coast and began producing documentaries for public television. Making connections in the independent film industry wasn't an automatic process. It has taken time, and there have been assumptions to overcome. But a different background can also be a strength - it means I bring a different perspective to my work.

DIRECTOR, EDITOR AND PRODUCER, HOW ARE THESE TITLES OBTAINED?
The lines between roles in independent filmmaking are blurry. When you're short on money and personnel you just do what you have to do to make the film. At some point you have to give a name to what you've done. Director or producer usually means you were in charge of the creative or business front. Editor means you sat in front of a computer and put the footage together to make a film.

WHAT INSPIRES YOU ON A DAILY BASIS?
I just began work on a new film about female military veterans, and I've been immersed in war literature. Given all that and everything else going on in the world it's hard not to see life as cruel and unfair. I find inspiration in acts of rebellion. For me that includes looking for beauty and joy in every place I can. It's always there, in the cracks and crevices. You just have to excavate it.

WHAT’S YOUR CREATIVE PROCESS AND HOW DO YOU TACKLE YOUR SUBJECT MATTERS?
I try to set aside a bit of time in the mornings to write about whatever's in my mind. Brain dumping is incredibly important to creativity. So is focus, at least in my field. I'm also all about structure. While working on a documentary project, whether in the field or in the edit room, I keep running story outlines. These are always changing but they keep me on track and help ensure no good ideas get away.

DO YOU EXPRESS YOURSELF CREATIVELY IN OTHER WAYS?
I like making small watercolour paintings, though I can't say I'm any good at it.

YOU’RE PART OF THE TEAM BEHIND THE NEW DOCUMENTARY, ”HOT GIRLS WANTED”, PRODUCED BY RASHIDA JONES, WHICH RECENTLY PREMIERED AT SUNDANCE FILM FESTIVAL. HOW DID THE PROJECT AND COLLABORATION ORIGINATE?
I had collaborated with the directors on an earlier documentary called “Sexy Baby”, which premiered at the Tribeca Film Festival in 2012 and aired in the U.S. on Showtime (and in Sweden on SVT). They had set out to make a follow up film and convinced me to join the effort. Rashida was already speaking out about the issues the film examines and came on board after she saw some sample footage we put together.

“SEXY BABY” ALSO BRUSHES ON THE ASPECT OF INCREASINGLY YOUNGER WOMEN BEING LURED INTO A CULTURE SEEMINGLY SKEWED IN THE FAVOUR OF MEN. DO THESE DOCUMENTARIES AID IN CREATING AN AWARENESS OF A SOCIETAL PROBLEM OR DO THEY AUGMENT THE APPEAL OF THE SET VALUES?
Both films tell character-driven stories that explore how the culture intersects with the lives of ordinary women and girls, hopefully allowing viewers to make their own judgments. I wouldn't say, though, that the societal problem is that our culture is increasingly skewed in favour of men. I suppose it's always been that way. The problem is one that comes along with female liberation. And this is my personal opinion, not the official position of the films. As women are increasingly empowered to wrest their sexuality from male control, things have gotten confusing. Nicki Minaj can wear hot shorts and wink at us while she's doing it, and we can agree she owns it. But what about every 12-year-old girl who wants to be her? Especially for young girls still getting a handle on their sexuality, it can be difficult to sort out who or what you are actually pleasing: yourself or the male gaze? It's a situation that can be ripe for exploitation, raising all kinds of questions about agency.

DO YOU FIND IT CHALLENGING TO BE A FILMMAKER IN A MALE DOMINATED ENVIRONMENT?
People do make assumptions based on gender. Young women don't make serious films. I feel like I've gotten that one a lot. When I'm out working in the field those attributes can be a big asset. I don't seem threatening. That's probably helped me a lot to connect with film subjects and convince them to open up about their lives.

IT’S BEEN SAID THAT WOMEN AREN’T REWARDED FOR THEIR INPUT IN THE MOVIE BUSINESS TO THE SAME EXTENT AS MEN. DOES AN INSTITUTIONAL BIAS EXIST OR DOES IT BOIL DOWN TO THE FACT THAT THERE ARE MORE MEN ACTIVE IN THE INDUSTRY, THUS BY SHEER NUMBERS THEY’RE MORE LIKELY TO BE RECOGNISED FOR THEIR WORK?
Certainly there are still biases, but women are pretty well represented as directors and producers in the field of independent documentary. At Sundance this year, almost half of the documentaries in competition were directed by women. Laura Poitras just won the Oscar for “Citizenfour”. Our voices are being heard. That's probably because we can and will work outside of institutions, with very little money. And that of course isn't the case in Hollywood.

AS AN AWARD RECIPIENT AND NO STRANGER TO AWARD SEASON AND UPSCALE EVENTS YOURSELF, HOW DO YOU GET RED-CARPET READY?
Going back to the previous discussion, self-presentation can be a thorny issue for women, at these kinds of events and in everyday life. In my twenties I actually made a point to avoid wearing makeup or dressing in ways I thought would be appealing to men. As I got older I came to realize this was also letting a male agenda control me in a way. Now I wear whatever I like.

Casual Friday

Pentatonica

Liam Fahy

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Photo Courtesy Of Liam Fahy

YOU WERE BORN IN HARARE, ZIMBABWE AND GREW UP ON A SNAKE FARM, CONTINUE THE STORY FROM THERE: WHY FOOTWEAR? AND WHY WOMEN’S SHOES?
I was studying developmental psychology and narrowly chose footwear design over psychology. I didn't want to study for seven years, and had wanted to have my own shoe company since I was about 14. I chose women’s shoes after trying out all the other types of footwear first. Women’s footwear, especially in the super luxury market, allows the designer to be far more creative. It’s more expressive and sexy than other categories.

WHERE DID YOU LEARN THE CRAFT? 
I studied at De Montfort University, the best place to study real footwear making and design. Then I worked for sneaker companies in China for a while learning the technology. When I got tired of that I won the Fashion Fringe and was able to learn how the Italians make luxury footwear in Bologna. There are so many types of footwear and the processes are always developing so I like to think I'm always learning.

HOW DID YOU GET YOUR BREAK?
By luck. My girlfriend gave me a small article, torn off from a "Metro" newspaper, which was announcing the Fashion Fringe competition to be judged by Manolo Blahnik. I gave it a go and won which lead me to design for Rupert Sanderson.

HOW DOES YOUR CULTURAL HERITAGE INFLUENCE YOUR ARTISTRY?
It's quite a mix. I was born in Zimbabwe, my father is Irish, my mother is Portuguese/English and I live in London which is more multicultural than anywhere in the world. Each one of the shoes I produce is named after someone I know, I try to get as many Irish/Celtic names in there as I can. And each collection has some inspiration from Africa, whether the vibrant colours, materials or just the symbols and shapes. Africa is a never ending source of inspiration, the trick is translating it into luxury. Every shoe we make comes with a small dust bag that is made by a charity we support in Zimbabwe. The Shingirai Trust, a group of women (an NGO) that supports orphans.

WHAT MOTIVATES YOU?
I love learning. With every project I do; designing shoes, accessories, websites, books, furniture or cooking food, I love the process more than the result. As Confucius said, “Choose a job you love and you'll never have to work a day in your life.” I think if anyone decides to have a career in fashion they must find out what it is that they enjoy about it. Don't do it for the money because the money rarely trickles down past the luxury groups, and the hours are longer than in any other business sector.

WHAT PART OF YOUR JOB DO YOU LIKE THE LEAST?
Fashion is becoming less about talent and more about hype. The highest bidder always wins. I guess it's no different to pop music.

ANY TIPS ON HOW NOT TO RUIN THE PERFECT OUTFIT WITH THE WRONG PAIR OF SHOES?
I think you should start with the shoes and then decide on the outfit. My tip is to choose one thing to show off. Don’t’ look like a Christmas tree with all the bells, whistles, colours and the kitchen sink. One of my favourite quotes is by Bruno Munari, 'To progress is to simplify, not to complicate.” Another great tip is to only wear our shoes. You can’t go wrong.

DO YOU HAVE ANY PREFERENCE FOR WHAT A WOMAN SHOULD WEAR?
I like to see women wearing things that show off their personality or have some degree of individuality no matter how small. It's all about expression and doing your own thing. Do something random just because you can.

HOW WOULD YOU DESCRIBE YOUR OWN STYLE?
Very simple. Black and white. No logos. Kind of like the guy in “The Book of Mormon” poster on the London tube adverts. I’m very serious about what socks I wear though. It’s all about the socks!

Dinara Nurlan

Natasha Tsakos

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Photo Courtesy Of Natasha Tsakos

YOU’RE A SWISS MISS WHO LIVES IN FLORIDA AND IS INTO TECHNOLOGY, CORRECT? ELABORATE
I am a Swiss terrestrial of Hellenic heritage living in the tropics plotting a moonshot.

IS MIAMI BEACH STILL MIAMI BEACH?
Define "still"? Latitude: 25°48′46.89″N. Longitude: 80°8′2.63″W. Still on the map!

If you listen closely you’ll hear the city’s drum beats, start-up frenzy, and parrots' squawk.

WHEN DID YOU DECIDE TO PURSUE ART AS A CAREER?
Theatre pursued me. I was five in a closet with books, shoeboxes, imagination and a flashlight. The rest is a story in the making.

WHAT’S YOUR EDUCATIONAL BACKGROUND?
I graduated in Theatre from the University of Florida’s New World School of the Arts, and passionately educate myself in other fields to make the shows that move in my mind. I also love reading about science and technology, and liberate myself through randomness.

AS A CREATOR AND CONCEPTUAL DIRECTOR HOW WOULD YOU DESCRIBE YOUR WORK TO A COMPLETE STRANGER?
I create unique theatrical experiences harnessing the power of imagination and the magic of technology.

WHAT ARE THE STAGES OF YOUR CREATIVE PROCESS AND HOW MUCH TWEAKING IS INVOLVED?
A Show Recipe: Start by cutting one idea. Let it marinate in dreams for a few weeks. Abstract moments from reality. Pour them in fair quantity. Dissolve imagination. Add a pinch of science. An ounce of fiction. Twist reality. Freshly squeeze metaphors. Research abundantly. Let it simmer organically. Dice a meticulous storyboard. Mix it up musically. Stir the right. Talents together. Cook it well. Showtime baby! Note: allow for tweaking, laughing and head banging time.

WHAT ARE THE ISSUES, IDEAS AND/OR DILEMMAS THAT YOU’RE TRYING TO ADRESS THROUGH YOUR ART, AND DOES EXCESSIVE SCIENCE RENDER HUMAN EMOTIONS VOID?
When perfectly in tuned and equalized, I believe science and human emotions make the greatest Works of Art. I like to create stories that are relevant to today in both content and application. Contemporary themes in relationship to the human condition fascinate me! I also love to challenge the norm while using pop cultural triggers, and making unusual connections so that you might arrive at an unpredictable place in your mind.

WHAT DO YOU CITE AS YOUR MOST IMPORTANT INFLUENCES?
Challenges. Dares. And Dreams. Also, Leonardo da Vinci, Salvador Dali., Michael Jackson, Charlie Chaplin, Richard Branson, Jacque Fresco, Elon Musk, Peter Diamandis, Jim Carrey, Ray Kurzweil and Martine Rothblaltt. Now we’ve just moved to inspiration.

WHAT ARE SOM FUN FACTS ABOUT YOU THAT MAY OR NOT BE DIRECTLY RELATED TO YOUR PROFESSION?
I want to create shows for outer space environments.

YOUR STYLE OF DRESSING IS DOWN TO A DISCIPLINE, CATEGORIZE IT LIKE IT WERE A GRADED PROJECT
I Guess there is a Limited Gap in this Republic of Bananas due to the DeKayNY. Is Levi's such an alarming Exchange when you Express your Benetton? Ask Tommy, he’ll figure!

Mixing It Up

Waris Dirie

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Photo Courtesy Of Waris Dirie 

WHAT INSPIRED YOU TO WRITE “DESERT FLOWER” AND THE BOOKS THAT FOLLOWED?
Friends of mine convinced me to write a book about my life. They supported me through the process. Afterwards, no publisher wanted my story. I almost printed the book on my own expenses and giving it free of charge to schools and universities. In the end a publisher in New York bought the script and sold 12 million copies. After this every publisher in the world wanted to publish books by me.

YOUR LIFE PLAYS OUT LIKE A MODERN DAY CINDERELLA STORY, A FAIRY TALE. YOU’RE MYTHOLOGICAL ALMOST. IS THIS AN ADVANTAGE IN YOUR WORK OR ARE YOU OVERWHELMINGLY ABSTRACT TO THE PEOPLE YOU’RE TRYING TO REACH THROUGH YOUR FOUNDATION?
I‘ve had a lot of luck in my life, and I‘m very grateful. I don‘t see myself as a mythology, rather as a hard working woman with a mission. Fame serves as an advantage to spread a message, if you have one.

WHY DOES THE PRACTICE OF FGM (FEMALE GENITAL MUTILATION) PERSIST DESPITE THE UNETHICAL AND MEDICAL ISSUES INVOLVED?
Because people are ignorant. Ignorance is the worst and most difficult attitude to eradicate.

CAN A PERFECT STATE OF GENDER EQUALITY TRULY EXIST (ESPECIALLY AS SOME MEN MAY BE UNDER THE IMPRESSION IT MEANS A CARTE BLANCHE TO NOT HAVE TO PAY FOR DINNER)?
Absolutely! This is the goal. I can pay for my dinner myself.

HOW DO YOU MANAGE YOUR DAY-TO-DAY AS YOU’RE ENGAGED IN SEVERAL PROJECTS SIMULTENOUSLY?
I get up early in the morning and I have a very good team at my Desert Flower Foundation.

HOW DID YOU FEEL WHEN YOU DID YOUR FIRST EVER FASHION SHOW OR PHOTO SHOOT?
It was pretty easy. They take pictures of you, fly you to beautiful places, and you’re getting paid for this. It‘s an easy way to make money.

HOW DID YOU COPE UNDER THE PRESSURES OF BEING A MODEL AND HOW DO YOU FEEL ABOUT THE SIZE ZERO CONTROVERSY IN THE INDUSTRY?
I never felt pressure as a model. I was the one who made pressure. Size zero is stupid and invented by idiots. Good food to me is more important than a modelling job.

WHAT HOBBIES DO YOU HAVE OUTSIDE OF YOUR PROFESSION?
Sports, music and painting.

WHAT IS TIMELESS STYLE AND HOW DOES ONE ACHIEVE IT?
Don’t care about the others. Wear what you like – then you are timeless.

HOW DO YOU MAINTAIN YOUR FLAWLESS SKIN AND STUNNING FIGURE, SURELY YOU’VE FOUND THE FOUNTAIN OF YOUTH AND REFUSE TO TELL?
Olive oil is the best body lotion. You can get it in every supermarket. That is my secret.

The Book & Movie

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Photographed By Ellinor Forje


"Liya did a great job. I met her in the 1990's at a party at Iman's apartment in New York City. I was at the peak of my career and Liya was a beginner. She starred at me all the time and then introduced herself. Ten years later, she became a supermodel herself and played me in the movie," said Waris Dirie. Besides the fact that Liya Kebede is perfect for the role, I'm wondering, "Who else was at that party?"

"Desert Flower" (2009), is based on an autobiography written by Dirie. Elton John bought the rights to the book shortly after it was published in 1997. However, the author and acquirer didn't agree on the script leading Dirie to sign with German Academy Award winner Peter Hermann instead. The premise centers around Dirie, whose name literally means desert flower, and her escape from an arranged marriage which forces her to run through the barren lands of Somalia to England. After a time of trials and tribulations she eventually becomes a model in London, and resumes her life as a nomad by moving between Paris, London, Milan and New York. Glamorous as it may seem, her traumatic past remains present.

Dirie who was completely involved in the production says, "I was shocked and burst into tears when I saw it the first time. It is very hard to see your own life in a film." The film is hard to watch, and the book even harder to read, although I recommend you do both. And I'll back up my advice. Several years ago in Boston, after a George Michael concert, I noticed a guy wearing a t-shirt with the sentence "Stop Male Genital Mutilation" written at the back. This sparked my curiosity as to whether the letters "F" and "E" were written somewhere in the front. After a swift semi stalker-ish maneuver made to appear like I was walking towards the lad away from the hall, I discovered that they weren't. Instead there was a sentence that read "If it's not okay for girls, then it's not okay for boys."

After initiating a conversation, I was informed that John Doe was discontent with the reality of his parents  decision to circumcise him without his permission or approval. And if there was movement advocating for women then one should exist for men, too. Then he blamed, the Africans, Jews, Arabs, colonial rule, the post-world war immigrants, the Abrahamic religions, the government and the cosmetic industry for their continued scheme.

“Cosmetics, like lipstick you mean?”

“No, creams that women put on their faces to prevent them from getting wrinkles.”

Even though he was on a mission to raise Cain, I decided to Listen Without Prejudice.

With that said, the procedures are not comparable. Female circumcision is ultimately about control, or as Dirie puts it, “FGM is a crime against women. It destroys female sexuality and self-determination.”

Zainab Hasnain

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Photo Courtesy Of  Zainab Hasnain

DJ ZEEMUFFIN, HOW DID IT ALL BEGIN? START FROM THE CRADLE
I was born in Lahore, Pakistan and came over to the States when I was five. The earliest memory of an album I loved was probably “Dookie” by Green Day. I had a huge love for punk, indie and rock music, and then eventually fell in love with hip-hop when I was in middle school. It was N.E.R.D and The Neptunes that helped bridge the gap between rock and rap for me. I remember playing “In Search of.” and “Clones” over and over again. Then I became obsessed with G- Unit, De La Soul and so on. Not many people know this but I played viola for like 13 years. That was fun, but I really loved the drums, and picked them up when I was 11 or 12. Then I started messing around on the guitar.

I was always going to shows as early as I can remember. I was never the "cool kid" in high school and never went to parties. My sister and I would go to shows in the city instead whenever we got the chance. We would camp outside Bowery Ballroom for the Kooks, or get fake I.D.'s so we could see the Arctic Monkeys at Hammerstein Ballroom- that was the thrill for me. When I got into college I wanted to learn how to produce and DJ but didn’t know where to start and also didn’t really allow myself to take it seriously because my parents were paying for me to study something “real”. After college though, I got a job in banking and paid for a class at Dubspot and then purchased my first set of turntables when I was 20. I just knew I wanted to express my love for all types of music by telling a story of how these songs and artists connected in my head. I’ve always been fascinated with telling stories through sound.

YOU’RE ALSO AN NYU GRADUATE, WHAT WAS YOUR MAJOR?
I majored in Politics and double-minored in Economics and Business Studies. I was an investment banker for a short period of time after school and held other jobs at startups after that. Needless to say, it totally sucked and I would always spend a majority of my time on music blogs or Wikipedia reading about music. I'm still very passionate about world politics though, you can see how opinionated I am on my Twitter.

WHO’S THROWING THE BEST PARTIES IN NEW YORK AT THE MOMENT?
Man I still have to give it to Venus X. Her Ghettogothik parties are still one of the only authentic parties remaining in New York. I’m going to add in a little shameless self-promotion in here too. I just started a new weekly party with Jillioniare of Major Lazer, Richie Beretta and Jay White on Tuesday’s at Kinfolk in Williamsburg. Look out for that. It’ll be nuts.

YOU RECENTLY CREATED AN EXCLUSIVE MEDLEY FOR THE TRIBECA FILM FESTIVAL 2015,  HOW DID THIS VENTURE COME ABOUT?
When I worked at a digital agency for a brief period of time, I worked on a project with Tribeca Film Institute for the Nas documentary, “Time Is Illmatic”. After leaving the agency I was still good friends with the folks over there since they loved my work I did for the social side of the film. A person high up there follows me on Instagram and reached out to me because he was loving my photos of Lahore. He told me he wanted to do something with them and Tribeca. I met with the Tribeca team and brainstormed on the piece together and the rest was history. I knew I wanted to do something with my experience there regardless, and I was lucky enough to have an incredible institution like Tribeca reach out to me and provide a greater platform for the story I wanted to tell through words, sounds, and photos. It was the first time I was able to combine many of the mediums of expression I enjoy and turn it into something meaningful and close to my heart. I think that’s really tough to do and Tribeca made it really easy, which I'm eternally grateful for.

WHAT’S YOUR FAVOURITE MIX SET OF ALL TIME?
That’s a tough one! It’s impossible to pick a favorite mix - I have too many favorites. For the sake of brevity I’ll go with Jackmaster’s Mastermix from 2014. That was an insane mix and really showed me that you can pretty much blur the lines of producer and DJ if your song selection and mixing is on point.

WHAT’S THE MCs ROLE IN POPULAR CULTURE?
MC like a rapper? Well Kendrick has sort of set the bar to show us how someone can transcend being a rapper and become a voice for a generation. I really think America is going through another civil rights era/movement and “Pimp a Butterfly” is the soundtrack for that. He’s one of the most important voices out there period. Someone like that can show you how art can insert itself into the narrative of our present day culture and shift the conversations we are having amongst each other. MC's have the power to make the world more conscious of their own surroundings - not a lot of artists care about that factor or think it's "cool" to be conscious, but Kendrick has showed everyone how it's done. He talked about meaningful things and didn't do it in a corny way. King Kunta is DEEP, but it's also a banger. How many people can do that?

AS FAR AS DJs GO, WHO’S THE BADDEST BITCH OR MITCH IN THE GAME?
Baddest Bitch/es: Louisahhh, Jubilee, Anna Lunoe and Venus X. And Baddest Mitch: too many to pick from. Jacques Greene and Q-Tip are crazy good live.

WHAT’S ON YOUR PERENNIAL TO-DO LIST AND WHAT DO YOU GET UP TO OUTSIDE OF THE MUSIC SCENE?
Music is just the start for me. I want to write a book, direct a film, start a clothing line and build my own creative agency and record label. My mom always tells me I don’t have a focus. I think it’s because I just want to express myself in as many ways as possible! One thing at a time though.

ON A SEPARATE NOTE, YOUR SENSE OF STYLE NEEDS TO BE DISSECTED AND DISCUSSED. WALK US THROUGH YOUR CLOSET
Why thank you. For me, style is all in the details. I don’t think expensive equals stylish. I think it's all about dressing in a way that makes you feel confident and sexy, and that’s different for everyone. I used to buy trendy things but recently I’ve just been wearing a lot of sneakers, kimono’s and jewelry. I like to keep the clothes themselves simple but wear crazy sneakers, or a headpiece, or one item like a blazer that pops out. I love buying vintage things and pairing them with more modern items. Sneakers are everything!

WHAT SHOULD EVERY WOMAN TRY AT LEAST ONCE IN HER LIFE?
Every woman should try loving herself more. It’s the hardest thing to do. It’s also the most important.

Final Walk Through

Anna K

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Photo Courtesy Of Anna K

WHERE WERE YOU BORN AND RAISED, WHAT'S LIFE LIKE THERE AND WHERE DO YOU LIVE NOW?
I was born by the Dnipro River, in a small Ukrainian city, surrounded by trees and lots of flowers. A city swamped in nature. There are a number of places to ride your bike in the summer or create a snowman in the winter. It's an idyllic place for the perfect childhood.

I’ve attended art school since the age of six. I also spent a lot of time doing sports as my father is a volleyball world champion. My grandfather taught me how to play chess when I was young and I’ve won a number of championships. I’m still fond of playing against people older than me just so I can beat them. After high school I moved to Kiev and started studying at the College of Technology and Design. I discovered the world of new interesting Ukranian designers. They liked my style and asked me to wear their clothes. And they would say in gest that I should create my own collection. Yet they were really surprised when I showed my first collection during MBKFD at age 16, and “Vogue Italia” called my collection the most promising among all the collections. Now I travel between London, Milan Paris and Kiev. I’ll probably stay in Paris for a long time. Or maybe in London. Probably not Milan. However, I love New York.

WHO WERE YOUR HEROES GROWING UP?
Lewis Carroll's “Alice's Adventures in Wonderland”; and by the way, in Nabokov's Russian translation “Alice in Wonderland” is called “Anna in Wonderland”;  “Le Petit Prince”, Kate Moss, Steve Jobs, Marley from "Marley & Me”, my Labrador is called Marley, Snoop Dog, Sponge Bob, Natalia Vodianova, also a small town girl, Coco Rocha, several fairy tale heroines and of course, Pippi Longstocking.

WHEN DID YOU START MODELLING?
I started when I was 14. But it was boring and not as creative as I wanted. Soon after I started doing the styling on my own and then creating clothes. Fortunately I was studying design at the time.

HOW DO YOU FEEL ABOUT THE SIZE ZERO DEBATE?
I'm size zero, but these debates are empty vessels. All women are amazing no matter what size they are. What’s important is her inner world, sense of style, her goals and knowledge of fashion. My clothes are usually worn by celebrities like Linda Tol, Candella Novembre, Sofie Valkiers and Daria Shapovalova. No one of them are size zero. This I know for sure, and it’s the motto of my brand: Every girl is a model!

WHY DID YOU TRANSITION FROM MODEL TO DESIGNER?
I've always understood what my friends want to wear. And it's not always what the designers and the brands out there make. I want to tell stories to a generation open to new experiences.

HAVE YOU COMPLETED YOUR TRAINING?
I studied at the College of Technology and Design in Kiev. I'm thinking of studying in Paris although I still have to figure how I’m going to study and work on developing my brand at the same time. I have so many things I have to do right now.

YOUR CLOTHES ARE HIGHLY WEARABLE YET PLAYFUL, THEATRICAL AT TIMES, WHAT’S THE CONCEPT BEHIND THE LABEL ANNA K, AND DOES YOUR WORK REFLECT YOUR OWN PERSONAL TASTE?
Yes. Each one of my collections reflect a deep and personal experience. Legends. I dip into them just like Alexander McQueen dove into Atlantis in his last collection. That's why I don't always separate the pieces for the shops and for the shows. I frequently wear the creations myself, and I pair them with Comme des Garçons, Jacquemus, Miu Miu and Prada, Kenzo and with my Nikes.

WHAT'S YOUR PHILOSOPHY ABOUT THE ART OF FASHION AND HOW DO YOU BALANCE CREATIVITY WITH COMMERCE?
The art of fashion, is the art of presenting a fantasy. It's about putting that element into the real life of those who you understand and who does understand your dreams. Pure love and elegance is important for girls. Every girl is a dreamer and for this reason I've created the special hashtag, #AnnaKGirls. I've never chased after commercial success. It comes by itself. I really love communicating with the buyers and the owners of the shops like Sara Andelman from Colette, Andrea Panconesi from LVR, Licia Bonnesi from G&B Negozio or Kelly from Lane Crawford. They’re good people with a sensibility for taste.

WHAT ARE YOUR HOBBIES OUTSIDE OF THE INDUSTRY?
I adore traveling. I spend a huge amount of time outside my home. I want to travel to Asia soon. Japan, China and Korea are countries with cultures my friends from Asia tell me I have a connection to. I've never been there so it’s kind of a mystical coincidence. I play chess. I collect pieces of cool designers. I paint a lot and I create the prints for my collections myself. I adore going to museums. My last love is René Magritte. The play of straight lines and incredible choice of colours and shades appeals to me. I love driving my Fiat 500 By Gucci with my dog in the front seat. And this summer I plan to travel around Italy on my Scrambler Ducati.

WHAT'S YOUR GREATEST INDULGENCE?
I love sleeping. And I love eating sweets.

Les Jumelles

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Photographed By Marshall Heritage 

 Nadia + Zehra creating a ruckus with snaps of their their Fall 2015 "Whip It Real Good" Collection shot in Vancouver, Canada.

Nadia & Zehra Mustafa

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Photographed By Marshall Heritage

HOW DOES ENGLAND AND ITALY FEATURE IN YOUR LIVES?
We were born and brought up in London. We moved to Italy to attend Polimoda International Institute of Fashion Design & Marketing in Florence. When we finished the four year course (one year foundation course and three years Fashion Design course) we moved back to London for a year to start our label Nadia + Zehra. Now we’re based in Bologna, Italy as all our clothes are Made in Italy and our producer and distributor, Angela Mele has her showroom and shop, Angela Mele Milano, there.

HOW DO YOU FEEL ABOUT THE PORTRAYAL OF TWINS IN “THE SHINING” AND “AMERICAN HORROR STORY”, AND DID YOU WEAR MATCHING OUTFITS GROWING UP?
We think it’s pretty cool how twins are portrayed. Obviously it’s freaky to have two identical girls staring at you. We didn't really wear matching outfits that much when we were younger while our parents dressed us as they didn't want to get confused, but as soon as we could start to dress ourselves we would match everything up for fun.

HOW DO PEOPLE TELL YOU APART?
It’s quite easy to tell us apart, one of us is a little taller than the other.

WHAT’S THE BEST EVIDENCE THAT PROVES A TELEPATHIC PSYCHIC CONNECTION EXISTS BETWEEN TWINS?
All we can say about this is; if you know, you know.

WHY DID YOU DECIDE TO BECOME FASHION DESIGNERS?
We were always very creative growing up. We had a strong interest in art and fashion from a young age. The older we got the more intrigued we got. We took the fashion route knowing that we could link art into fashion, which you can see through our collections so far.

WHAT’S THE PHILOSOPHY BEHIND YOUR BRAND (BESIDES FLIPPING THE BIRD TO WHAT PEOPLE THINK)?
The philosophy behind our brand is simple; “Style is knowing who you are, what you want to say and not giving a fuck.” We want people who wear Nadia + Zehra to feel confident, free and expressive.

WHAT INSPIRES YOU AND DO YOU ALWAYS AGREE ON EVERYTHING?
When it comes to picking a theme for a new collection we always start of by saying random adjectives which will then lead into something much more amusing. We’ve not been in the dilemma where we haven't agreed yet.

HOW DO YOU SELECT THE MATERIALS YOU USE?
We select what materials we use through research.

WHAT KIND OF MOMENT ARE WE HAVING? 
Duende.

LESS OR MORE?
More.

Down With The Brown

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Photographed By Karen Burgos

I forgot to mention earlier that I enjoyed the nut-coffee-cocoa-hazel-chocolate tinctures that were, to some measure, persistent in Pentatonica's fall collection.

Daisy De Villeneuve

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Photographed By Alistair Guy

YOU WERE BORN IN LONDON WITH A FRENCH LAST NAME, THEN YOU STUDIED FASHION AT PARSONS IN BOTH NEW YORK AND PARIS, TELL US MORE ABOUT THESE ANGLO-FRENCH RELATIONS
I am in fact not French but half English and half American, and for the past three years I’ve been living in Paris up until a couple of weeks ago when I moved back to the UK.

WHY DID YOU BECOME AN AUTHOR?
I'd always wanted to do a book of the “He Said She Said” drawings that I had shown during my final project for my graduation show in 1999. I was commissioned to do over 100 drawings for it in December 2000. It was first published in August 2001; that's when I became an author.

WHAT CAN WE EXPECT FROM YOUR NEW BOOK AND HOW IS IT DIFFERENT FROM THE PREVIOUS ONES?
The new book “I Should Have Said” is similar in vain to the first book, in fact it's the sequel. But, it is different as it's an older version of me and my friends, the experiences are universal yet familiar.

HOW DID YOU GET INTO ILLUSTRATION?
After art school I was approached by the publishers, Pocko Editions, they commissioned me to do my first book. That led to other work, then when a journalist asked what I did I said, “illustration” as I didn't really feel like I was an artist as such, even though I have a degree in Fine Art, I thought I was more of an illustrator.

WHAT'S YOUR FAVOURITE SUBJECT TO DRAW?
Faces as that's what I do best.

HOW DO YOUR PIECES COME TOGETHER?
I carry a notebook and jot down notes and ideas, then I sketch out the idea for the drawing. It will take me several attempts until I get the drawing right, I never work with pencil, always with pen first, I make lots of mistakes and keep tracing over the older versions of the sketch until I'm happy with it. Sometimes I like my mistakes and keep them.

WHO ARE THE ARTISTS YOU ADMIRE?
David Hockney, Andy Warhol, Sir Peter Blake and Robert Rauschenberg.

WHO ARE THE WRITERS YOU ADMIRE?
Brett Easton Ellis, Elizabeth Wurtzel, Oscar Wilde and Dorothy Parker.

WHAT ELSE DO YOU GET UP TO?
I travel a lot for work and to see my friends. Friends and work are important to me. I'm currently in Austin, Texas.

YOU’RE ALSO QUITE THE FASHIONISTA, IF YOU WERE TO DRAW AN ENTIRE COLLECTION FOR YOUR OWN PERSONAL USE, WHAT WOULD IT LOOK LIKE?
A colourful eclectic mix of both vintage and designer clothes. Lots of shoes, bags and sunglasses. I'm a total hoarder.

About Miss Daisy

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Illustration By Daisy De Villeneuve

Daisy de Villeneuve’s latest illustrated book “I Should Have Said” is a witty reflection on 20/20 hindsight vision, and the times she should have spoken out par rapport à her friends and relationships but didn’t.

Born into an aesthetically pleasing family; her father a business man and once manager of 60’s icon Twiggy, and her mother, a successful model of the same era, De Villeneuve and her sister, photographer and director Poppy, would spend their time crafting growing up. “I have been drawing in felt tip pens since the age of three. I think that my style of drawing has evolved over the years. At the start it was rawer, scratchy and now I feel it is more smooth and graphic,” says De Villeneuve.

Her faux-naïfapproach has led to collaborations with Zac Posen, Topshop, Moët & Chandon to mention only a few. And when asked whether she’d contemplate adapting her books for the screen, she replied “Yes, this would be a fantastic idea! I'm also interested in animation too.”

Bree Olson

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Photo Courtesy Of Bree Olson

WHAT IS LIFE LIKE IN THE CITY OF ANGELS?
Life in Los Angeles is interesting to say the least. It's a bit of a different hustle than NYC - which I had always been more accustomed to and thought I fared better over there. Here it's a bit more cut throat, in a very fake way. People will say they like something and smile but not really mean it. I'd rather have the brutal honestly and aggression of the east coast when it comes to those types of things. I also miss the awesome public transit in NYC. Driving everywhere here, especially for auditions each day can be such a drag. We of course win on the weather aspect, but I do miss my season very much. It never feels like Christmastime or fall has come here. Every day is pretty much the same. It feels like the Twilight Zone. I love the forward thinking here. I've really come to embrace the hippie vibe. And now I finally understand it and it makes me scared to ever leave to a land where people aren't as open and free with their thoughts. L.A., like anywhere, is a blessing and a curse.

WHEN DID YOU BECOME BREE OLSON?
I was almost 20 years old and had to create a name for the work I did in porn. They told me I had to choose a first name, I went with Bree because at the time there weren't any “Bree's” in the industry, and I had a fling with a superhot girl named Bree back in high school. Olson came later when they said I needed a last name. I went with the Olsen twins for that all American vibe from “Full House” and altered the spelling. There I had Bree Olson, an all American name to match my all American image.

HOW OFTEN DO YOU ENCOUNTER A HOLIER-THAN-THOU ATTITUDE FROM PEOPLE REGARDING YOUR WORK?
I haven't done porn in four years now and the fact that people still treat me the same as when I was in porn, is a little discouraging. I didn't realize my image would be carried with me so strongly. Surprisingly people from the Midwest are much more accepting of who I am. I think the people here in L.A. are too concerned with their image and not just professionally. It's L.A., many people here feel like they're on stage all the time.

YOU STAR IN “THE HUMAN CENTIPEDE III” BY TOM SIX. WHAT WAS THAT EXPERIENCE LIKE AND WERE YOU A FAN OF THE FRANCHISE AND HORROR GENRE?
It was an amazing experience. I loved being on such a large professional set and they truly treated me like a princess. I flew over night to audition for the part because “The Human Centipede” one and two, are actually the only horror movies I have watched in my adult life. I was really drawn to them and excited that I was even considered for the role. I had about 30 days on set and it was an amazing experience, I still talk with much of the cast and crew to this day. I'm excited to see them at the premier on May18th, and for all of us to be united again.

WHO ARE YOUR FAVOURITE ACTORS?
My absolute most favorite actor at this time is Peter Dinklage best known for his incredible portrayal of Tyrion Lannister on “Game of Thrones”. But I was extremely drawn to him several years ago when he played a nanny on “Nip/Tuck”. I'm always so happy when I see an amazing actor finally hit it big - and in his case - jackpot, and deservingly so.

WHAT DO YOU GET UP TO IN YOUR LEISURE TIME?
My grandparents were immigrants and Holocaust survivors originally from the Ukraine. They brought very strong work ethic to America and my grandmother instilled every bit of that into me. Work, work and work. Even though many may look down on my career of porn, I worked very hard at it. Very little time is spent on camera, although most is. And the last four years with the exception of non-pornographic work is spent off camera. Events, hosting, photo shoots, social media, websites and fans, fans and fans. I love my fans and interact with them as much as I can. In fact, I have been working on a secret project and as an entrepreneur that has had things shine beyond success and fizzle into nothing. I can’t tell you how it will do. As always, the fans decide so we'll see how they feel. Either way, it will be a life changing experience yet again.

Oh! So my answer! As you can see, I don't really do the leisure time thing. I'm my happiest when I'm working and I envy my friends that are always out on the weekends. If I wanted to, I could be there, too. But this is my happy place, working. It's in my DNA to work until I can work no more.

WHAT’S THE ART OF SEDUCTION IN YOUR OPINION?
I’m a true sapiosexual. If one were to gather all of my ex's together they would see stark differences in personality, looks and interests. One thing they all have in common is their intellect. I am extremely drawn to people with abnormally high IQ's. Some were more in touch with their emotional IQ and some not at all. In the end, they were all so smart and talented in their own ways. The more someone knows than me, the more likely I am to love them.

WHERE DO YOU POSITION YOURSELF IN THE WOMEN’S EMPOWERMENT MOVEMENT?
It's getting to a point where it sickens me that women's equality is still a topic.The millennium hasn't been about equality as commercials of an assortment of races and genders claim it to be. The millennium is better at masking gender and race discrimination. It’s without question, the higher you go in almost any company, it becomes predominantly white males. There are white women, black men and women, Hispanic men and women that are just as qualified. At most we just see them sprinkled about just enough for a company to not be able to be held accountable.

We’re still living from a mentality when physical strength was a means for survival and in most instances that was the male. Now we live in a time where the most important attributes to being successful are found just as commonly in females as males such as intelligence, perseverance and creativity just to name a few qualities.

I used to be “anti-feminism” because I didn't know what it meant. I thought it meant to hate men or to try and make them feel lesser than. That's just not the case at all. Being a feminist is just wanting the same equalities as a man. To be equal to. In my opinion, I think this benefits the man. Perhaps if we all did what made sense rather than what society has brainwashed us with, most men wouldn't buy dinner on every date, most men wouldn't feel defeated if their female spouse makes close to what they make or more. And most importantly if we were able to take down these very specific walls of gender that society has built, men could feel free to be themselves, to be more sensitive if they wanted to be. “Be a man.” What is this? Most commonly applied to little boys when telling them not to cry. Let them cry. Let them laugh. Let them cross their legs. We are all human beings and we should all have the same opportunities given our skill sets without bias and discrimination.

HOW DO YOU STAY FIT AND DO YOU HAVE A ROUTINE YOU SWEAR BY?
I’m a vegan. At one point I was overweight weighing 150 pounds at only 5'3. I went vegan and lost all 50 pounds in two months with no exercise. I feel more healthy and energetic than I have in my whole life. Who has time to miss food when you can wear anything you want and know you look great?

Everyone wishes they could change something about themselves physically and one thing that is free is to lose weight and that's probably the number one thing that people would want to change about their physical appearance. I'm sure there's a poll somewhere that could back me up on this. And if you're big and beautiful and proud great. However, if you're not proud and you're overweight and really want to change, I’m here to tell you there's no easy way out. But I'm also here to tell you that the gym isn't as required as people think. The gym is there to sculpt and to keep weight off. If all you're doing is trying to lose weight, eat less, a lot less. Will you be hungry? Yes. Will people tell you it's not healthy especially your own mother? Yes. Are the chips, soda, juice, and eating out you're doing healthy? No? Okay. I'd rather be a little "unhealthy" and lose the weight. Now, don't go starve yourself to death. I'm just saying that most people can make it on a 1500 calorie diet without a problem. We see these stars and think they are so lucky and that they are born with it. No, it's their life. I walked to two different grocery stores to get fresh vegetables and fruits so that I have fresh food each day. "I don't have time for that". Well, I didn't watch any TV today, did you? Did you spend any time on Facebook today?

Two things scare me about technology and that is not connecting with people enough in person and being stagnant. People sit and drive to work, they sit at work, and they sit as they drive home. They get home and they sit down in front of the computer or TV and on the weekends they sit in front of the TV and the computer. And don't even get me started with how much time we spend looking at our phones. And I get it! I love my Apple TV, Mac and iPhone just as much as the next person, except I make the effort each day to shut down everything for hours and just do things, even if it's just re-organizing the cupboards or walking to the post office instead of driving. We all really have to tell ourselves which hours of the day are going to be "no technology time".

Also for the people wanting to lose weight, it's okay to be hungry. Every time you're hungry, that means you're losing weight. Now when you do decide to eat, make sure it's a salad and not a big greasy burger and I assure you, you'll lose all the weight you want. I'm scolding today. I'm everyone's mother I guess. I just have a few friends that fight with weight big time and what I've stated here is basically what I've told them a hundred times. They don't listen and guess what? They're still fat. I love them to death though. Maybe I should start a boot camp? Bree's Boot Camp. I'm sure if I wore booty shorts and a sports bra I'd get a few clients for sure.

WHAT DO YOU KNOW FOR SURE AND DO YOU HAVE ANY REGRETS?
I know nothing, just like Jon Snow.
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